Floating Hearts


Education is a basic human right and should be accessible to all folx regardless of who they are and where they come from. Education is liberation and a pathway to not only understanding the world but creating lasting change in it. I became a librarian because I am passionate about education and the fundamental role librarianship plays in the education of others. To paraphrase philosopher, Paulo Freire’s Pedagogy of the Oppressed (1970), education is the emancipation of oppressed groups. Librarianship encourages freedom of speech, protects and promotes intellectual freedom, and provides avenues for interacting, remixing, and creating information and resources. I remain a librarian because of the need for librarianship in social justice movements. Information is not neutral and how we interact with and understand the role of information is crucial for creating equitable and inclusive spaces inside and outside academia. Education is social justice.

              I practice what I call ‘pedagogies of empathy,’ which recognize the unique lived experiences of each student in the classroom. Research and the teaching of it begins with conversation and being empathetic of where students are in the moment. When teaching, I take a holistic approach. When students come into the classroom, they are bringing their whole selves, past and present which shapes the way they understand and interact with information. I strive to build a sense of community in the classroom where we not only actively listen to one another but learn from each other. I believe that students are experts of their own lived experiences. When space is made for students to share their expertise, opportunities arise that create for them deeper connections to not only information sources but the entire research process. Stories build community, but more importantly, they also remind us we are not alone. When I create space for this experiential learning, students begin to see themselves in the research and become invested in the research process. One way I achieve community in the classroom is by acknowledging students have knowledge and expertise. Through conversation students share how they find information, where they search, and how they evaluate what they find. Through think/pair/share activities, students learn from and alongside each other, making space for different ways of learning and knowing. I see the classroom as a shared space where learning happens laterally as opposed to lecture or ‘sage on the stage’ styles of teaching.

              I believe critical creativity is essential to deep learning. It allows students to use creative expression to demonstrate deeper thinking and to make sense of information in new ways (Burvall & Ryder, 2017). When this philosophy is incorporated into open pedagogy, the result is that deep learning. Critical creativity provides unique ways for students to understand complex concepts through the remixing of ideas and information. In sessions where I address evaluating sources, I ask students to create a mock-up post that in theory would be shared across social media platforms. This exercise allows students to research a topic and deliberately create something with misinformation in mind. The outcome of this exercise is the understanding of author intent and the role it plays in creating and disseminating information. In a broader sense, critical creativity moves students away from traditional forms of research (like the research paper) and towards projects that showcase true understanding of the research process by the remixing and reimagining of concepts and theories. When successful, it allows for student research to live beyond the classroom having lasting impact on the community. These types of open pedagogical projects work because they speak directly to privilege in publishing. Academia has a very narrow definition of expertise and students rarely get the chance to embody it. With open pedagogical projects, privilege gets not only investigated but challenged. Who gets published, who gets cited and who is awarded scholarships and grants to conduct research inevitably determines whose work is easily accessible and whose work gets buried. Critical creativity provides the opportunity for students to become producers of information and to think about the real world impact their research can have on the systems of power around them. Projects such as zines, digital stories, vlogs, and mixed media provide a chance to push against the privilege in publishing and call in voices that are too often silenced.

Education is a life-long process that continues beyond the halls of academia. So much of what I teach students in terms of database searching and locating library resources will become inaccessible to them upon graduation. In contrast, the research skills and evaluation methods I share with students set them up to be successful in not only their careers but in their lives as well. In 2017, I created the ACT UP evaluation method after much reflection on paywalls and institutional access to resources. ACT UP is a useful acronym for critically evaluating resources while also taking privilege in publishing into consideration. I teach this method widely and I have seen the difference it has on the quality of resources students find and cite in their assignments. With this method, I’ve had the privilege of helping students locate information that is more inclusive and responsive to the communities they are calling in or calling out. I’ve been humbled at the various institutions that have adopted the ACT UP method into their classrooms and instructional methodologies. From universities to social justice groups, ACT UP is empowering because it centers privilege and intention.

              My role as a librarian encompasses all these facets and more. As a librarian, I am often the first point of contact for students. This interaction is crucial for building trust which is why I practice pedagogies of empathy. I want students to feel comfortable asking for help. I believe the role of librarianship is more than just educating students to become better researchers and information seekers. My role as a librarian and educator is about creating lasting change and making spaces for students to explore and interact with a variety of sources and ideas on a more personal level. Successful instruction sessions and research consultations empower students to dig deeper, step outside their comfort zones, and produce work that best represents who they are. When I say I am a librarian, I am calling in aspects of myself such as artist, educator, and zinester and oftentimes counselor and social worker. These aspects bring different skill sets and ways of knowing that help inform the way I approach students and their research needs.  When I say I work in the field of librarianship I call out privilege in publishing, the power of semantics, and the different ways of learning and knowing. Ultimately, for me, being a librarian is holding space between novice and expert learners so that those who walk into the space can be challenged and encouraged to learn and try something new. It’s holding space for change in whatever form it needs to take.



August 1997 - May 2001


Major: Creative Writing
Minor: Art & Design

January 2005 - May 2008


Major: Business Management

August 2007 - December 2009


Major: Information Literacy



Academic Libraries

July 2019 - Present


Salem State University - Salem, MA

January 2014 - July 2019


Simmons University - Boston, MA

January 2012 - January 2014


Wellesley College - Wellesley, MA

August 2008 - December 2011


Purdue University Libraries - West Lafayette, IN





April 2020 - Present


Stahura, D., & Milanese, E. (July 2013). Teaching with zombies: Bringing information literacy back from the dead. College & Research Libraries News, 74(7), 354-356.

Stahura, D. (October 2014). Information intimacy: Getting our students to commit. College & Research Libraries News, 75(9), 486-489.

Stahura, D. (September 2017). Filling in the gap: Using zines to lend authority to the marginalized in academic research.  In M.T. Accardi (Ed.), The Feminist Reference Desk: Concepts, Critiques, and Conversations.

Sacramento:  Library Juice Press.

Stahura, D. (2018). ACT UP for evaluating sources: Pushing against privilege. College & Research Libraries News, 79(10), 551.

Stahura, D. (forthcoming). There is no ‘I’ in research but there is in zines. In Nina Clements (Ed.), Art at the Intersection of Librarianship and Social Justice. Sacramento:  Library Juice Press.



INNOVATIVE ENGAGEMENT. October 16, 2015. “Feeling the Feels: Using Zines as Primary Sources in Student Research.”  Dartmouth College.

COLLEGES OF THE FENWAY: TEACHING & LEARNING CONFERENCE. November 18, 2016. “Unpacking Silence: New Anti- Oppression Tools & Social Justice Alt-Scholarship for the Classroom.”  With Stacy Collins.

FENWAY LIBRARIES ONLINE. January 19, 2017. “Not Throwing Away My One-Shot: Implementing Critical Information Literacy Pedagogy in One-Shot Instruction.” Focus on zines as primary sources in research.

URBAN LIBRARIANS CONFERENCE. April 7, 2017. “Unpacking Silence: New Anti-Oppression Tools & Social Justice Alt- Scholarship for the Classroom.” With Stacy Collins.

SOCIAL SCIENCES LIBRARIANS BOOTCAMP. June 9, 2017. “Let’s Get Critical: Reflective Teaching Practice in Social Sciences Librarianship.” With Stacy Collins and Maric Kramer.

ZINE LIBRARIANS SKILLSHARE. April 21, 2018. “Zines, Anti-Oppression, and Social Justice Work in Academia.”

OLYMPIA ZINE FEST. October 25, 2019. “Conjure: Zines as Narrative Magick.”

ZINE LIBRARIANS UNCONFERENCE (ZLUC). October 27, 2019. “Salem State University Zine Collection.”

MCCLPHEI PROFESSIONAL DEVELOPMENT DAY, January 10, 2020. “Zines and Book Talks: An Excellent Adventure in Library Instruction.” With Tara Fitzpatrick.

CONSORTIUM OF ACADEMIC & RESEARCH LIBRARIES IN ILLINOIS. April 7, 2020. ACT UP Evaluation Method in the Time of COVID-19. Webinar.

ACRL/NEC-NELIG JOINT ANNUAL CONFERENCE. Postponed to 2021 due to COVID-19. “We're All About the Space:
Taking Inclusive Library Spaces to Another Level.” With Elizabeth McKeigue, Cathy Fahey, Tara Fitzpatrick and Rukmal Ryder.

ACRL/NEC-NELIG JOINT ANNUAL CONFERENCE. Postponed to 2021 due to COVID-19. “Making the Case for Alternative Student-centered Assignments.” With Tara Fitzpatrick.

NEW MEXICO STATE LIBRARY. Postponed due to COVID-19. Invitation to speak on zines and help start a zine collection.

NEW ENGLAND LIBRARY INSTRUCTION GROUP. August 27, 2020. “Zines as Critical Creativity and Empathetic Inquiry.” Webinar.


CONSORTIUM FOR GRADUATE STUDIES IN GENDER, CULTURE, WOMEN AND SEXUALITY. September 3, 2020. “Archiving for Feminist Futures: Ensuring Feminism and Resistance Stay Alive.” With Mona Tousian and Khanh Aiden Nguyễn.



September 2019 - Present


September 2019 - Present


September 2019 - Present


January 2015 - Present




Philanthropic Engagements

September 2018 - Present


I run a monthly zine club for kids and teens at the Salem Public Library in Salem, MA.

April 2017 - Present


I run the yearly zine fest in different locations around the Boston area which brings zinesters from New England and beyond together to connect and share their zines.

December 2015 - Present


I lead workshops both online and in-person on a variety of art mediums including:

  • zine making

  • zine presentations and instruction

  • mixed media

  • collage paper making

  • cosmic smashing booking

  • shadowbooking



Salem, MA


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